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Melissa Joan Hart Tattoos

Melissa Joan Hart is a fantastic American actress, best known for her role in television shows such as Clarissa Explains It All and Sabrina the Teenage Witch.

Melissa Joan Hart has been pictured with two tattoos on her body, including small cross on the back of her neck, plus a blue butterfly just above her left breast.

There seems to be some debate as to whether the butterfly tattoo is real or fake.

Melissa Joan Hart tattoo pictures.

The Tattooed Poets Project: Cody Todd

We are extending the Tattooed Poets Project through the weekend, giving those who have been enjoying the poetic ink, a little bit more to tide them over until next year.

Today we are being visited by an old friend, Cody Todd, whose tattoos appeared here last year.

This is his latest tattoo, four weeks old, inked at Purple Panther Tattoos off of Sunset in Los Angeles:


Cody provided this explanation:

Not too much of a story behind this. It is Marv and Goldie from the "The Hard Goodbye" of Frank Miller's Sin City. The artist who did this is from Tokyo, and her name is Koko Ainai. I admire the precision of her work in copying Miller's extremely elaborate sketching. As Marv and Goldie embrace, he is holding a gun he apparently took away from her and a bullet hole is smoldering in his right shoulder as he lifts her off the ground. That tattoo is the first of what is going to be a kind of sleeve in parts in which I take different scenes from noir films or works and decorate my whole left arm with. Upon seeing Farewell My Lovely with my girlfriend last week, I decided to get the front end of a 1934 or 1936 Buick as my next tattoo.

...I am doing my critical work for my PhD at USC on the "western noir," which is a term I sort of coined for a specific genre of film and literature concerned with elements that typically comprise classical film noir, except they take place in cities in the western part of the United States. As we see in the film, Sin City, it has a "Gothic City" feel to it, but it is most certainly somewhere out in western Nevada, or California. I think the motifs of lawlessness, street and vigilante justice, and the disillusionment with the American Dream are all at work in this kind of genre, and that it also borrows many elements from the Western as a genre as well. If anyone wants to read good literary western noir, I would direct them, promptly, to read Daniel Woodrell, who takes the noir theme and brings it to the Ozarks and southwest Missouri. If Chandler and Faulkner had a love-child, it most certainly would be Woodrell.

Head over to BillyBlog and read one of Cody's poems here.

Cody Todd is the author of the chapbook, To Frankenstein, My Father (2007, Proem Press). His poems have appeared in Hunger Mountain, Salt Hill and are forthcoming in Lake Effect, The Pinch, Specs Journal and Denver Quarterly. He received an MFA from Western Michigan University and is currently a Virginia Middleton Fellow in the PhD program in English-Literature/Creative Writing at the University of Southern California. He is the Managing Editor and co-creator of the poetry journal, The Offending Adam (www.theoffendingadam.com).

Claudia Vaz, desenho animado, 195

"Mais uma vez venho participar desta coluna com uma nova tattoo. Como todas as 7 tattoos essa também tem uma história. Como já contei para vocês sempre pesquiso muito antes de fazer uma tatoo pois acho que além de uma arte, tem que ter um significado, se tatuar por tauar naum rola.

Quando era pequena assistia um desenho que retratava uma tribo indígena protegida por animais que ficavam em forma de estátua de madeira no centro da aldeia, no qual os espíritos saim dela sempre que surgia um perigo eminente aos moradores desta aldeia. Por ser Técnica Ambiental e me identificar com a natureza, uni o útil ao agradável tatuando animais. No Xamanismo, que é um ritual a mãe terra o totem do urso (como é chamado), cada animal tem um significado. No meu totem, o urso é o personagem principal, seguido de um alce, um guaxinin, um puma e um lobo. Espero que gostem!!!"

Claudia Vaz

The Tattooed Poets Project: Jozi Tatham

Today's tattoo (and remember folks, we're continuing through May 2!) belongs to Jozi Tatham, who was referred to us by the Milwaukee Poet Laureate, Brenda Cárdenas (thanks Brenda!).

Her tattoo is certainly amazing:


Jozi had this tattoo done by Steve Bossler, who owns Greenseed Studios in Sheboygan, Wisconsin. She had met him originally at Papes Blue Ribbon Tattoo in Milwaukee. Steve splits his time between the two locations.

Jozi explains the inspiration behind this tattoo:

I have wanted this back tattoo for years now. Where the Wild Things Are was my favorite book growing up. Because I have since become a writer, it's extremely important to me to remember the childhood imagination and creativity that we are all born with, but which we often "outgrow". I refuse to grow up and let my imagination slip away, and hopefully having the monsters of creativity tattooed on my body will keep that close to me.


Please check out one of Jozi's poems over on BillyBlog here.

Jozi Tatham is currently a poetry MFA student at George Mason University in Virginia. She hails from Milwaukee, WI where she received her BA and the place which serves as "the inspiration for most of my being thus far." She has been published in newspapers and small publications in the Milwaukee area for poetry and nonfiction.

Thanks to Jozi for sharing with us here at Tattoosday!

Sarah Harding Tattoos

Sarah Harding is a charming English singer-songwriter and actress, perhaps best known as a member of the pop group, Girls Aloud.

Sarah Harding has been seen donning a few tattoos recently, including a rather large Tibetan script inked on the inner portion of her left forearm.

She has also been spotted with a new tattoo design located behind her right ear, which is a star design.

And just last year she a small tattoo on her back removed by way of laser.



Alyson Hannigan Tattoos

Alyson Hannigan is a lovely funny American actress, probably best known for her role in the movie American Pie, and the television show How I Met Your Mother.

We have spotted three tattoos on Alyson Hannigan.

Her tattoos include, two intertwined tribal dolphins on her right ankle, along with a small turtle on her left foot, and finally a Japanese kanji which represents good luck and happiness, located on her lower back.


Tatuagens de Pedro Martins, Reino Unido

Oi pessoal acho o vosso site bastante bom e é sempre bom podermos contar com a ajuda do próximo, meu nome e Pedro sou Português, de Lisboa mas vivo no Reino Unido, tenho foto de algumas tattoos que fiz. Um abraço para todos os amantes da arte.

The Tattooed Poets Project: Phebe Szatmari

Well I am back in New York and posting this a little later in the day than normal. The good news for those of you enjoying the Tattooed Poets Project is that we will spill over until Sunday, May 2, before resuming our normal activities.

In the mean time, enjoy this amazing tattoo from Phebe Szatmari:

Phebe writes:

Driftwood, for me, symbolizes the worn, the weathered, the old, the beautiful—each piece takes on its own character. My wife and I have a large piece from Richardson Lake in Maine that resembles a leaping elk. Its movement and energy are striking.

I was also inspired by artist Deborah Butterfield who is known for her sculptures of horses (initially created from driftwood before being cast in bronze).

When I found tattoo artist Jason Tyler Grace, I knew that he had the artistic ability to render a realistic image that would also work with the contours of my body. I decided to get my tattoo in order to initiate a new dialog with myself—and because tattoos are hot.
Be sure to check out one of Phebe's poems here.

Phebe Szatmari was working full-time in an office in Manhattan when she learned there was a shortage of poets. She immediately dropped everything and is currently pursuing an MFA in Creative Writing and Literature at Stony Brook Southampton.

In her spare time, Phebe freelance edits, teaches writing, volunteers at LIGALY (Long Island Gay and Lesbian Youth Center), serves as a judge for teen poetry slams, and practices parkour. Her poems will be published in the forthcoming Writing Outside the Lines 2010 anthology.

Thanks to Phebe for sharing her lovely tattoo with us here on Tattoosday!

Geri Halliwell Tattoos

Geri Halliwell is a wonderful British singer-songwriter, author and actress, best known as a member of the pop group the Spice Girls, under the nickname Ginger Spice.

Geri Halliwell has two tattoos on her body, including a star at the top of her back, just below her neck.

Her other tattoo is of a black panther and is located in the center of her lower back, however Geri Halliwell has since had this tattoo removed.



Sammy Hagar Tattoos

Sammy Hagar is a great American rock singer/guitarist, best known for his work with the rock group Van Halen and Montrose.

Sammy Hagar has two tattoos which we know of, one design on each bicep, including a circular picture of a Mexico sunset with the word "Cabo Wabo" which is the name of his club in Mexico.

The tattoo on his right bicep is rather difficult to make out clearly, however it appears to resemble a torch of some sort.


Jake Gyllenhaal Tattoos

Jake Gyllenhaal is a wonderful American actor, known for his role in such films as Donnie Darko and Jarhead.

Jake Gyllenhaal has been spotted with a couple of tattoos lately, including a Pittsburgh Steelers team helmet, and a line of old english variant letters.

However both of these tattoos are believed to be 100 percent fake.

Priscila Nascimento, reprodução de Laura Costa, 194

"Olá!
Essa é minha segunda tattoo. Assim como a primeira, ela foi feita em novembro de 2009 pelo Tino do Led's Tattoo, um cara super gente boa, experiente e talentosíssimo! Pedi a reprodução desse postal da ilustradora Laura Costa, que faz parte de uma série de postais com imagens de trajes típicos de diferentes regiões de Portugal e de países que falam português. A série pode ser vista nesse link.

Escolhi a imagem que representa a Ilha da Madeira, pois minha família, por parte de pai e de mãe, nasceu lá. A tattoo foi concluída em duas sessões. Na primeira foi feito somente o contorno e, na segunda, o preenchimento. Na minha opinião, o trabalho se destaca pelo grau de detalhe que o artista conseguiu reproduzir. Trabalho muito caprichado, que valeu cada centavo e a dor (que descobri ser suportável!). Esse foi o primeiro passo de um projeto de fazer três imagens femininas que representam minha história e constituem quem eu me tornei. Não vou adiantar as próximas, mas pode deixar que mando fotos quando elas estiverem prontas!


Espero que tenham se interessado pela história!
Grata pelo espaço."

Priscila Nascimento

The Tattooed Poets Project: Steele Campbell

Today's tattoo comes to us from Steele Campbell:



Steele tells us how he came to choose this tattoo:


"I debated back and forth about exactly what tattoo to get and where, but this one seemed to come from within. It should.



This is the Campbell Coat of Arms with the Campbell Motto underneath with Claymore swords behind the shield, as it was the Campbell Clan that started the Black Watch. What can I say; we are known for being ruthless. And because the
Campbell blood courses through these veins, and even spills from them on occasion, I could not find a better representation of myself. It was done in Auburn, Alabama at Shenanigan’s Tattoo Parlour by Ember Reign, a hard-yet-sweet roller-derby-girl tattoo-artist (among other things) as a celebration of permanence. But as nothing gold can stay, only this tattoo and my blood have remained. As they will."

Check out one of Steele's poems here on BillyBlog.

Steele Campbell is currently living (and I mean that robustly). He is essentially transient, but has paused his peregrination at Auburn University to complete a Master’s Degree on the fiction of Marilynne Robinson. He is the recipient of the Robert Hughes Mount Jr. Poetry Prize from the Academy of American Poets two years running and has been published in Decompression, The Boston Literary Review, Rope and Wire and Touchstones. He is the student poetry editor of the Southern Humanities Review. You can visit him at www.steelecampbell.net.

The Tattooed Poets Project: Lisa Gill

Today's tattoo comes to us courtesy of Lisa Gill:


Lisa tells us:

"Last September, I got a rattlesnake in my living room. (I live rural outside the small town Moriarty, NM). I spent over two hours in close proximity to the snake, and ultimately ended up calling the sheriff's department and getting a deputy to help me catch it and release it off my property. After the encounter I spent months and months writing direct address poems to the snake and ended up with a play where the snake speaks back. The Relenting is both "true story" and archetypal and imagined journey, paralleling the transformation the snake sparked. The encounter, and the writing where I tried to process the encounter, changed my life, and because my life had changed (and is still changing), I wanted a tattoo to symbolize the transformation.

The only tattoo image I considered was the Minoan Snake Goddess.

I understood her intuitively in a way I'm still working to express with words. I worked with tattoo artist Serena Lander. I knew Serena's work on visual artist Suzanne Sbarge, who regularly helps bring Serena to New Mexico from Seattle. I trusted Suzanne and was right to. I had a great experience with Serena, the right kind of energy and contemplative exchange. I wanted line work, one color, kind of ruddy toned. She took images I sent her from archeological digs at the Palace of Knossos and transformed them into the image now on my arm.

I consider the image both a prayer and a mark of a turning point in my life. (I have three earlier tattoos, two black, one white, all smaller, from a decade prior, sparked by a different significant recognition.) The subtext for the new one is this: right before the encounter with the rattler, I'd just made it out of a wheelchair I'd been in for five months due to multiple sclerosis. Arms are not something I take for granted any longer... and the tattoo in that respect is simply about gratitude and facing disability with resilience, as much as I can muster..."


Please venture on over to BillyBlog to read an excerpt from the aforementioned The Relenting here.

New Mexico poet Lisa Gill is the recipient of a 2007 National Endowment for the Arts Fellowship in Poetry, a 2010 New Mexico Literary Arts Gratitude Award, and just earned her MFA from the University of New Mexico this April. She is a literary arts activist, currently booking poets for "Church of Beethoven," and the author of three books of poetry, Red as a Lotus, Mortar & Pestle, and Dark Enough. A fourth book, The Relenting, is forthcoming with New Rivers Press (June 2010) and can be considered either a play or a poem scripted for two voices, rattler and woman. She'll be touring the play in the upcoming year, starting with a staged reading with Tricklock's Kevin Elder at 516 Arts in Albuquerque in June and then onward to Minnesota, LA, hopefully even to NY.

Thanks to Lisa for sharing her amazing tattoo with us here on Tattoosday!

Vida Guerra Tattoos

Vida Guerra is a stunningly bodacious Cuban-born American model, known as having one of the most desirable bodies in show business.

Vida Guerra has three visible tattoos on her body, one of which is a small red devil with pitchfork located on the right portion of her lower abdomen.

The lovely model also has a rather small rose tattoo on her right ankle, along with her zodiac sign Pisces tattooed on her inner left wrist.



Vida Guerra tattoo pictures.

Dave Grohl Tattoos

Dave Grohl is a superbly talented American rock musician, known for his success with the rock group Nirvana, Foo Fighters and Them Crooked Vultures.

Dave Grohl has multiple tattoos on his body, mainly on his arms chest and shoulders, including three Led Zeppelin inspired tattoo designs, one of which he tattooed himself, being the three-circle Led Zeppelin IV logo on his arm.

Some of Dave Grohl's other tattoos include, "FF" on the back of his neck which represents his band "Foo Fighters", plus extensive tribal designs on his upper arms and shoulders.

He has quite a few other tattoos, including a tribal design on his chest, plus a few tattoos on his forearms, and a small heart and halo on his left middle finger.
Pictures of Dave Grohl's tattoos.






Dave Grohl tattoos.

The Tattooed Poets Project: Jeff Simpson

Today's tattooed poet found us by way of Adam Deutsch. Jeff Simpson offers up this cool arm tattoo:


Jeff, a tattooed poet from Oklahoma tells us:

I started reading Horace in grad school and soon grew to be a fan of the odes. The quote, pulvis et umbra sumus—taken from the ode to Torquatus—is commonly translated as, “We are dust and shadows,” but I prefer David Ferry’s version: “we’re nothing but dust, we’re nothing but shadows.” The line offers such a blunt beauty to our mortality, I thought it would serve as a good defense against procrastination, etc. The tattoo was done by David Bruehl at Think Ink Tattoos in Norman, OK. David is an incredible artist. I basically gave him the quote, said I dig skulls, and he nailed the design on the first sketch. This was my first tattoo (I was a late bloomer), and I couldn’t be happier with the outcome. I’ve already booked another session to start working on a sleeve.
Head over to BillyBlog and read one of Jeff's poems here.

Born and raised in southwest Oklahoma, Jeff Simpson received his MFA from Oklahoma State University in 2009. He is the founder and managing editor of The Fiddleback, an online arts & literature journal that will launch its first issue later this year. His poems have recently appeared or are forthcoming in Prairie Schooner, Copper Nickel, Harpur Palate, The Pinch, and H_NGM_N. His first full-length collection, Vertical Hold, will be published by Steel Toe Books in 2011.

The Tattooed Poets Project: Cheryl Dumesnil

Today's tattooed poet is Cheryl Dumesnil.

She offers up this lovely sand dollar tattoo:


Cheryl informs us that Amy Justen from Sacred Rose Tattoo in Berkeley did the work, three sand dollars on her lower left leg:

"Before my first son, Brennan, was born, I had three miscarriages. After his birth, I packed those losses away in a box marked “then,” and moved forward into parenthood. Or so I thought. Nearly a year after my second son, Kian, was born, old grief began seeping out of that box, coloring my days. While exploring how those miscarriages were still affecting me, as a way of integrating them
into my life rather than denying their impact on me, I had three sand dollars tattooed on my leg."

What folows is an excerpt from Love Song for Baby X, a memoir about Cheryl's circuitous route to parenthood, that tells the sand dollar story:


There is also a poem of Cheryl's over on BillyBlog here.

* * *



Sitting in meditation, I close my eyes and invite grief to appear. Now that I’m safely ensconced in parenthood, I can do this. Now that I know what I’m grieving: not the loss of parenthood, but the loss of three babies, I can do this. There, I said it: babies.



I breathe in. I see a meadow full of ragweed and green foxtails. I breathe out.



I wait.



Will grief enter as a mountain lion, all creep, shadow, and snarl? Will grief enter as a black-tailed deer, timidly nibbling the undergrowth?



I breathe in. I breathe out. I wait.



From the center of the field, something white and winged flickers up out of the grasses, flies like a lazy spring butterfly across the blue sky and lands on my left leg. It presses an image into my flesh then dissolves.



What I see there: three sand dollars sketched on my skin.



“Really?” I ask.



“Yes,” grief confirms, “really.”



“Okay.”



* * *



“I know what my next tattoo will be.” I present this fact to my wife Tracie as she is standing in the bathroom, brushing her teeth.



She spits a mouthful of foam into the sink, “Yeah, the cherry blossoms and humming bird, right?”



“Well yeah,” I say, “that one too, but first I need to get a different tattoo.” I touch the outside of my lower left leg, “three sand dollars, for the three babies we lost.”



Tracie looks at me, blinking, toothbrush held in midair.



When I speak it out loud, the tattoo plan seems weird, a bit extreme. I mean, were they really babies? Were they really important enough to warrant a permanent mark on my body? I say, “I’m gonna sit with it for a few days, to make sure the image sticks. But it arrived in such an authentic way, I feel like I need to do this.”



She’s not a fan of tattoos, my wife. And yet she knows tattoo is a primal means of self-expression for me. This conflict of interests—wanting to offer me her unconditional support, not wanting her wife to look like a circus freak—it hangs in the air. Until we burst out laughing.



A memorial tattoo. A monument to three spirits that passed through this body. A tribute to all I’ve learned through their passing.



* * *



A week before my appointment at Sacred Rose Tattoo, I walk Pajaro Dunes, the beach of my childhood, looking for whole sand dollars. I want to bring samples to the tattoo studio, to present my artist, Amy, with examples of the real thing.



I want her to feel their grit between her finger tips, to trace the gray veins that creep up their sides like fissures in concrete, to see how the five-pointed star is made up of hundreds of needle-thin lines, to break one open and release the three, tiny, porcelain-like doves that rattle around inside.



I know this length of beach like no other. I know where the waves cross over each other, creating pockets in the sand that catch sand dollars, a cache revealed at low tide.



This weekend, for the first time in my life, I can’t find a single whole sand dollar. This weekend, I carry home a small Tupperware bowl filled with bone-white fragments.



* * *



The electric buzz of Amy’s tattoo gun, the burn of ink needled between my epidermal layers, sends endorphins pulsing through me. Lying on her table, I float in and out of the room, memory playing its filmstrip in my brain.



Years ago, while walking along San Francisco’s Ocean Beach, troubling through a life-altering break-up, I recalled something my sister had found on the beach when we were kids: a dime-sized sand dollar. Logic questioned the accuracy of that memory: could that really have happened? I looked out at the Pacific: five tiers of gray and churning pre-storm waves. How could something so fragile have made it from there to here? Not possible. Then I looked down at the sand. There it was, not five inches away from my feet: another dime-sized sand dollar on the beach.



Now and then, Amy’s voice swirls into my dream-state: “How are you doing?”



“Mmm. Fine,” I hum.



And then the dream about my grandma returns—she and I standing in the shallow surf at Pajaro Dunes, sunlight glaring so brightly off the water, I couldn’t look directly at it. Reaching blindly into the sea, again and again, I grabbed up fistfuls of broken sand dollars, wanting the whole ones I couldn’t see. “Keep trying,” she said, “They’re in there. Just keep trying.”



As Amy works, etching the hair-fine, single-needle lines into my skin, I learn what the sand dollars are really about: hope and faith, trying and believing.


~~~~~~~~~~


Winner of the 2008 Agnes Lynch Starrett Poetry Prize, Cheryl Dumesnil is the author of In Praise of Falling, editor of Hitched! Wedding Stories from San Francisco City Hall, and co-editor, with Kim Addonizio, of Dorothy Parker's Elbow: Tattoos on Writers, Writers on Tattoos. Her poems have appeared in Nimrod, Indiana Review, Calyx, and Many Mountains Moving, among other literary magazines. Her essays have appeared on literarymama.com, hipmama.com, mamazine.com and in Hip Mama Zine. She lives in the San Francisco Bay Area with her wife and their two sons. Visit her at http://www.cheryldumesnil.com/.